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Linda Holmes from NPR on the Steve Martin interview

> But even more, why be so rude to your own guests? What writer or actor is going to go to the 92nd Street Y for a public interview knowing that the next day, the institution might say, “We realize that was a totally boring discussion and are happy to give you your money back”? > > This is what makes the world boring, quite frankly: the absolute refusal to risk that anything might be disappointing, and the accompanying conviction that if you are disappointed, you’ve been wronged. It’s the entitlement of the incurious, and it does nothing good for anyone.
via [npr.org](http://www.npr.org/blogs/monkeysee/2010/12/02/131750301/steve-martin-isn-t-predictable-enough-this-is-why-we-can-t-have-nice-things?sc=tw&cc=share)
Linda Holmes basically echoes [my sentiments from earlier today](http://jcieplinski.posterous.com/the-stupid-is-spreadingeven-as-far-as-new-yor), only much more eloquently.

This notion of risk avoidance in our entertainment is very disturbing. It has to potential of completely destroying some forms of performance. You have to take a chance as an audience, or artists won’t ever be able to innovate.

My guess is this probably stems from the depressed state of America’s modern middle class. Going out for a night of entertainment is a pretty expensive proposition for today’s “in-debt-up-to-our-ears” middle class professionals. We’re also burnt out from working 80-hour weeks for no overtime pay. So when we do go out to escape, we want something safe and familiar. We want guarantees. And the more the entertainment industry tries to give us that safe and familiar guarantee, the more we are robbed of any truly new experiences. All art gets watered down to the least common denominator. The safe and familiar gets to be a smaller and smaller range of options over time.

This is how Reality TV happened.

Artists and venues and entertainment executives should be FIGHTING this entitlement of the incurious, but instead many seem to be capitulating, betraying each other to gain our favor. And that’s definitely not a good thing. When the general audience gets to rule over which art is worthy or not worthy, that’s the beginning of the end.